Thursday, 10 September 2020

Getting your footage off of your phone and on to the college computers

TL;DR: get one of these! It will make your whole life 100x easier, guaranteed!

 

The biggest immediate challenge that we see coming up with the 'new normal' (urgh) way of working is getting footage off of your mobile phones and on to the computers. Frankly the biggest advantage of working with hardware such as the Cannon cameras is that they are 'plug and play' and use universal SD cards to store data. Modern smart phones are proprietary , which means they deliberately limit functionality and compatibility in order to remain competitive in a crowded market. This means that you normally cannot just 'plug and play' your footage from your phone, even if it's an Apple branded iPhone and you are attempting to interface with the college macs. 

If only life could be simple...

Instead you are going to have to jump through some hoops. I believe that the below method is the most straightforward, so do this one first:

Method one: bring your footage in on a USB stick

This is by far the most simple method.

1: Dump your footage on to your computer at home. This should be easier, because your phone will be synced and recognised by your computer

2: Transfer the footage from your computer to your USB drive

3: Bring your USB drive in to college

This method only works if you have got a USB stick. If you do not, please get one. We made it a requirement for the course, and it is the only thing we ask you to purchase

Method two: use Google Drive

You all have a Google Drive account to submit and to store work. You can use this to store your footage.

1: Dump your footage on to your computer at home. This should be easier, because your phone will be synced and recognised by your computer

2: Log in to your Google Account, then open Drive (you can just Google 'Drive'). You can drag and drop your files from your computer 

Method three: try and link your phone to the college computer

Look, this rarely goes well. You will need a propitiatory cable (we don't have them) and you will need to trust your phone not to sync all your information with the computer

Method four: email and One Drive

Again, this rarely works. If you're going to use Gmail, just use Drive instead. One Drive is a mystery to me. It sometimes works, but it has many restrictions. 

BIG DISCLAIMER

Your phone is your phone. We do not know how it works. We do not have a cable for it. Please make sure that you come prepared.

Welcome to A-level media studies! - First year introduction


 

We would like to take this opportunity to welcome you to the college, and more importantly (to us anyway), to welcome you to A-level media studies.

A-level media-studies isn't just a more difficult version of GCSE media studies. It also isn't just analysing media products (though it is both of these things). When you study media at A-level, we helping you to

  • Critically explore a range of viewpoints and ideologies, and explore how they are hidden in media products
  • Assess and analyse how media producers can use media products to manipulate and influence audiences in many ways
  • To develop and to practice a range of practical skills, and how meaning can be created for audiences
  • To challenge, critique and explore a range of potentially controversial perspectives, critically considering the world we live in today
  • To prepare students for employment opportunities in existing industries, emergent industries, and industries that are yet to exist
In order for this to happen, have have to have certain expectations of you:

  • To have a genuine passion for media. You should be watching TV, listening to music and using the internet in various ways each and every day!
  • To email your media teacher if you are going to be late. Obviously try not to be late though.
  • Try your best at everything, regardless of whether you think you’ll do well. One thing you will discover quite quickly is that A-level is MUCH harder than GCSE. However, we do not expect you to succeed at everything. Remember that failure is an essential part of getting good at something

Today, we need to get set up, to allow you to do all this from college and remotely

Setting up your blog


All instructions for setting up your blog can be found by clicking here. 


Please ignore the bits about labels though. It's a bit confusing. Also, Blogger has recently been updated, so things will look a little strange, but I'm sure we can figure things out

Resources and help


In order to make your experience learning media studies at A-level as pain-free as possible, we have devised a range of resources:

A free, full length revision guide (with every question, every theory, a glossary, exemplar answers, exam guide, articles and loads more)

Every PowerPoint for every lesson for the whole two years

Frequently asked questions about the course

A YouTube channel with videos on media theory, set texts, and practical demonstrations (this is pretty new, so expect loads more to be added later)


At the time of writing, there's well over 650 posts on the media blog, so click around and you'll find all your answers, and loads more besides

If you need any help with anything, be it media studies, issues with technology, or any other problem, please talk to your teacher. We can sort out almost anything, and if we cannot, we can find someone who can. 

Next week: remote photo challenge

Wednesday, 9 September 2020

Music video week one work (and help, tips and resources)

Work for Thursday 10th - Sunday 13th September

You'll be working from home in the first, third and fifth weeks of the music video project. This means using every available moment (within reason...) to prepare and to shoot your music video

THEMES

Your video must have a theme. It could be something very simple, like SADNESS or MANIA, it could be something a little more complicated like FEMALE EMPOWERMENT or POVERTY, or it could be something really deep, like THE COVID 19 PANDEMIC or MORTALITY. Basically you can do absolutely anything you want (as long as it's legal. Please don't do anything illegal)

Here's a short list of THEMES you could have your video focus on:

MISERY
ENERGY
ISOLATION
EMPOWERMENT
MOVEMENT
CONFUSION
ANGER
GENDER IDENTITY
FRIENDSHIP
CONFLICT
SURREALISM
VIOLENCE
POVERTY
SPORT

ENCODING THEMES and IDEOLOGIES

It's all well and good saying 'my video is about not being able to communicate with people'. But is it actually clear to people watching it? Is it clear to your teacher who is marking it?

Here are some examples of how you can encode THEMES and IDEOLOGIES in your music video. These are all  just SUGGESTIONS and are not the only way to encode an ideology!

LONELINESS: If your video focuses on LONELINESS, DEPRESSION or something similar, you can encode this through bleak and depressing mise-en-scene, empty shots giving a sense of isolation, extreme longs shots, slow fades and gestures such as putting hands over faces

HAPPINESS: If your video focuses on YOUTH, ENERGY, HAPPINESS or similar, you could include fat -paced editing, a montage of close ups of smiling mouths, mise-en-scene of natural, positive imagery, and gestures and movement including dance routines 

CONFIDENCE: If your video focuses on CONFIDENCE and EMPOWERMENT, you can encode this through confident gestures, movements, and choices of costume, daring and over-the-top makeup, using several performers in performance shots to demonstrate inclusion and popularity, direct mode of address (looking directly in to the camera), and garments made of leather or denim to symbolise fearlessness

IDEAS for striking shots

Extreme close up of an eye
Close up of water going down plug hole
Close up of cracks in paint
Panning establishing shot of large empty field
Establishing montage of performer: extreme long shot, followed by mid shot, followed by big close up (of face)
Lights shot out of focus
Over the top makeup and costume
Wires and cables
Solid colours

LINKS and RESOURCES

Instructions specifically for making a music video during lock-down 

How you get marked for your music video

Friday, 4 September 2020

Music video coursework: lockdown edition

This year, you will start and complete your music video before August half term. This is a big undertaking, and will require a radically different approach. This post will go over everything you need.

The brief

First things first: you will be completing a music video to a specific set of criteria. These are strict and cannot be deviated from:

  • A [music video] for a new artist or band in a genre (or sub-genre/ hybrid) of your choice.
  • Create an original music video to promote the same artist or band.
  • You should create a [music video] for a specialist record label (either independent eg XL Recordings or part of a large conglomerate eg Def Jam)
  • The audience should be specialised or niche. Your target audience is 18 - 34 year olds
  • The song you select for your music video cannot have an official music video already [when you picked it!]
  • You will create a new and exciting artist/singer/band/DJ with a clear brand identity
  • Length: 3 minutes - 3 minutes 30 seconds
  • Two or more filming locations (e.g. studio, rehearsal or live venue, or other locations)
  • Wide range of camera shots, angles and movement to interpret the music and lyrics of the song
  • Shots of the artist or band to establish a clear identity/image
  • Performance footage (rehearsal and/or live and/or lip synched)
  • Representations of at least one social group
  • Clear structure with an element of narrative
  • Editing of original footage to the music track
  • Graphics depicting the original name of artist or band and title of the track

You have already prepared


Remember when I kept saying you had to be ready to go in September to start making your music video? Well, it's September. It's time to start getting properly stuck in.

Before the summer holiday, you completed a 'pre-production booklet', where you researched other music videos and took inspiration for your own music video.

During the summer holiday, your summer work was to shoot 'B-roll' for your music video. This includes incidental shots, establishing shot, and maybe even some dance routines and/or performance shots. 

I also asked you to phone and message everyone you wanted to be in your music video. Now's the time for them to live up to their promises!

One week on, one week off


When you come back, you will alternate between remote learning (similar to what you received during lock-down), and normal, in-class work.

This works out pretty simply as: when you're working remotely, you shoot, and when you're in lesson, you edit.

This means three weeks of shooting and three weeks of editing, which is exactly what we give students every year. 

SCHEDULE 


Week 1-3: Planning and preparation (completed during lock-down!)
Week 4: Filming 1 (7th September)
Week 5: Editing 1 (14th September)
Week 6: Filming 2 (21st September)
Week 7: Editing 2 (28th September)
Week 8: Filming 3 (5th October)
Week 9: Editing 3 (12th October)


You shoot with your phone


This is the big change, and it's not a change we really wanted to make, however, this is not only essential, but it's not as bad it it first seems. Here's why:

  • In general, mobile phones today have very good cameras. My cheap, four year old phone has a better camera than the Cannons we use here. It's a bit depressing really
  • Most of you have a mobile phone. Note I said 'most'. Not all of you will have one. If you do not have access to a mobile phone that can shoot video, I would ask you to start looking for a phone or a camera you can borrow, and quickly!
  • You will be colour grading and editing your footage anyway
  • We encourage you not to shoot on site most years (because it's boring), but this year, it's arguably safer to shoot off site
  • Mobile phones are much smaller than dedicated cameras, and much easier to lug around

Issues and solutions


"My phone is crap. It's not fair that I should get a worse grade because of Corona virus!"


The quality of the footage will not affect your grade. By quality, we essentially mean the number of pixels, or resolution, or how sharp the image is. This has always been the case, and the exam board is keen to point this out. If you could just get a higher grade through owning an expensive camera, it means that rich kids would have a crazy unfair advantage.

Here's what you are actually graded on:

  • Clear, in-focus cinematography
  • Clear and striking use of makeup and costume
  • Clear and striking use of editing to construct a narrative
  • Clear conventions of music video, possibly inducing multiple locations, beat-matching, lip-syncing, costume changes, dance routines, jazzy editing skills etc
ALSO:

Filming a music video on a mobile phone is an example of digital convergence, as in the coming together of previously separate media industries (eg music, film, telecommunications) thanks to digital, internet enabled technologies. There, you've just added a bunch of marks to your final project.

"But I live in [insert name of small village here], my video is going to look absolutely terrible"


Look, most students who come to this college live in little villages. You're going to have to work with what you've got, and this is NOT a problem. 





(I have more recent examples to show you too, but this'll do for now)

Here's some pictures I took down a footpath in my boring little village with my phone. Whack some high contrast black and white on it and it looks pretty cool! If this was footage, it would make a great establishing montage!







"I don't know what I'm doing!"


Here's a checklist. All of this was presented as work before the summer. I'm not going to bite your head off if there's anything you're missing, but you need to ensure you've completed it as quickly as possible so you can get started on your music video. Most of these tasks you will have completed as you went through your pre-production workbook

  • Storyboard
  • Location research
  • Inspirational music video analysis
  • Phone/text the people you want to be in your music video to make sure they know they're going to be in your music video

"This is going to be hard!!"


It always is! We always force students to go out and film the first week, whether they think they're ready or not. This is because you can't edit if you don't have any footage. We also strongly encourage students to film off-site, because shooting in college is pretty boring, people keep getting in your way, and you guys have a tendency to annoy everyone else.

"It's going to be completely different to previous years!"

Again, not really. Aside from having to shoot with phones (and you can take a look above for how this isn't such a big deal), the other difference is the scheduling.

PREVIOUS SCHEDULE: 


Week 1-3: Planning and preparation
Week 4-6: Filming
Week 7-9: Editing

NEW SCHEDULE 


Week 1-3: Planning and preparation (completed during lock-down!)
Week 4: Filming 1
Week 5: Editing 1
Week 6: Filming 2
Week 7: Editing 2
Week 8: Filming 3
Week 9: Editing 3

So it's the same, just mixed up a bit. 

"I don't know how to edit!"


I will show you how to edit. It's actually pretty straightforward to do the basics, and you only really need to do the basics. Everything else is time, and you have three total weeks to edit (13.5 hours of lesson time)

"What about the mock exam?"


Your mock exam this year will be practical. You will be graded in the footage you have taken already and the work you have completed on editing. You don't need to worry about this yet. We will let you know what's going on!

Monday, 24 August 2020

A-level media studies revision guide: second edition

You can find the most recent version of the A-level media studies revision guide by clicking here.


The A-level media studies revision guide has been completely overhauled and updated!

You will find:

  • Exam tips, tricks and techniques
  • A 'cheat sheet' with at least five key facts for every set text (perfect for last minute revision!)
  • A revision checklist with every possible question which could come up in the exam, to print off and tick off
  • Absolutely loads of essays and articles to build up your media knowledge and understanding, with chapters split up by media language, representation, industry and audience
  • A simple and straightforward guide to all nineteen of the essential theorists
  • Twenty-three (!!) bonus theories and theorists to stretch your knowledge and understanding and to help you push for an 'A' grade
  • An in-depth glossary
  • Over twenty pages of exemplar answers, written by both teachers and students
Best of all: it's totally free! We are looking at the possibility of printing some out and selling them for as low a price as possible