Thursday, 18 November 2021
Year Two T Block - Humans and its Audience
Sunday, 31 October 2021
Year Two Monday 1st November - Introduction to Humans
The details of our first set text for television are below:
Humans
Series 1, Episode 1
Written by Sam Vincent and Jonathan Brackley
Channel 4 (UK) and ABC (US)
First aired on 14th June 2015 (UK) and 28th June 2015 (US)
Viewing figures for our episode: 5.47 million (UK) and 1.73 million (US)
The series was announced in April 2014 as part of a partnership between Channel 4 and Xbox Entertainment Studios. However, after Microsoft closed Xbox Entertainment Studios, AMC came aboard as partners to Channel 4.
During rehearsals, Gemma Chan and her fellow robot actors were sent to a 'synth school' run by the show's choreographer, Dan O'Neill, in a bid to rid themselves of any human physical gestures and become convincing synths. "It was about stripping back any physical tics you naturally incorporate into performance", explains Chan, who adds that it was a "relief to go home and slouch" after a day on set.
The series explores a number of science fiction themes, including artificial intelligence, consciousness, human-robot interaction, superintelligence, mind uploading and the laws of robotics.
You will need to watch the set text, episode 1 of series 1 very carefully. You can watch it here: https://www.channel4.com/programmes/humans/on-demand/56459-001. If you don't have an All4 account them you will need to sign up for one!Sunday, 17 October 2021
First year 'interim week' tasks - WaterAid and Kiss Of The Vampire
These tasks have been designed to be as student lead as possible for your final week before half term, and are based around research and analysis.
For this week, you will build case studies for the remaining two adverts.
Please remember, that these adverts are two out of the three that may be explicitly referenced in the final exam! So make sure your notes are as robust as possible.
Lesson 1 - WaterAid - compiling a detailed analysis
Task 1 - Analysis
- Rewatch the WaterAid advert.
- You can watch the advert by clicking here.
- Using cmd+shift+4 to make screenshots.
- Make six of them, from different parts of the video
For each screenshot, identify the:
- Genre conventions (what makes it a charity advert?)
- Shot type
- Camera angle
- Camera movement
- Type of edit (for example pace)
- Sound and diegesis
- Mise-en-scene: Colour
- Mise-en-scene: Lighting
- Mise-en-scene: Costume
- Mise-en-scene: Setting
Task 2 - Representation
- What messages about young women are constructed in this advert?
- Is Claudia a stereotypical young woman?
- In what ways is she relatable to the target audience?
- How is this representation constructed, through costume, lexis, performance?
- What messages about Africa are constructed in this advert?
- How are we as an audience certain that the advert is set in Africa and not somewhere else?
- Where is the WaterAid Claudia advert actually filmed? Find the country where Claudia is from, and do a little research in to it. What is its capital city, its official language, its major landmarks?
Why does this advert present such a simple and straightforward representation of 'Africa'?
Task 3 - Extension
Lesson 2 & 3 - Kiss of the Vampire: research and analysis
Good news! With Kiss Of The Vampire, the only questions you will really be asked about it are based around audience. However, it's still really important to understand the poster based on its use of genre conventions, and its representations, as these are things which are used to market a media product to an audience!
Basically, nothing in media studies can ever be truly separated from one another. When you discuss representation, you will also discuss media language, and how this affects audience. It's all connected!
Genre conventions
Genre conventions are the elements of a media product that show the audience what genre the product is. For example the conventions of the comedy genre include bright colours, exaggerated faces, and humorous situations. Obviously, not all comedies are like this, but enough are that we can see that these elements are conventional for comedy.
I'm going to give you a freebie: Kiss Of The Vampire is a horror film, and its subgenre is vampire. I really, really hope this is obvious when you see the poster. There's even a clue in the title.
Task 1 - Genre analysis
The following music video is absolutely packed with conventions of the vampire subgenre. Perhaps you've seen a lot of vampire films, perhaps you haven't, but this video has everything you need.
Watch the following music video and list the genre conventions/paradigmatic features/generic elements (all these terms mean the same thing lol) that make up the vampire subgenre
Task 2 - trailer analysis
You are not, I repeat NOT going to be asked to discuss the actual film, but you're going to watch the trailer for Kiss of the Vampire anyway. Why? It's an excellent example of generic fluidity
Generic fluidity - how a genre changes over time
Remember in media studies, generic usually means 'related to genre' rather that 'in general'.
Watch the following trailer, and
- List the genre conventions evident in it, and
- List the ways in which the vampire genre has evolved since the 1960's
Task 3 - poster analysis
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| Click image to see in full resolution |
This is what you're actually studying, so take some time now to analyse the poster.
Analyse this poster, making notes under the following headings:
- Generic paradigms (genre conventions)
- Layout and design
- Composition
- Cinematography - camera shot type, angle, focus
- Font size, type of font (e.g. serif/sans serif), colour etc
- Mise-en-scène – colour, lighting, location, costume/dress, hair/make-up
- Graphics, logos etc.
- Language – slogan/tagline and copy
- Anchorage of images and text
- Elements of narrative
- Representation of men and women
Task 4 -research
Task 5 - modern remake
- Changes in culture, politics and society
- Changes in taste (think about colours and fonts that will appeal to a modern audience)
- Actors
- Setting
- Costume
- Etc
Friday, 15 October 2021
Second year 'interim week' task - cult TV case study
For component two section A, you will explore two very different TV shows which broadly exist in the same genre. Humans is in many ways a conventional science fiction TV show featuring androids, which focusses on family life, sex, society, and what it means to be human. Les Revenants is a French horror TV show which is pretty much unconventional in every way, taking a decidedly different approach to the zombie subgenre.
Both of these shows can be categorised as cult TV
Cult - a media product that specifically appeals to a smaller, yet extremely enthusiastic audience
Cult TV shows are often based round horror, sci-fi , or other more niche subgenres, though not always. The important thing is that a devoted fanbase should be able to interact with the show. When you pick your own example, think: does this show have a big online following? Are there plenty of memes about it? Have there been books written about it? Can you buy merchandise related to this show? If the answer is yes, then it is likely that it is a cult show.
Please choose a show which doesn't have mass market appeal. Love Island does have a cult following of sorts... but it's too mainstream to be truly cult... Basically don't pick Eastenders or Cash In The Attic or The One Show or The News At Ten or something
Task - pick a cult TV show, preferably one that fits in to the science fiction and/or horror genre, and answer the following questions.
Present your work as a single long blog post, and make sure it's illustrated throughout. Lots and lots of pictures. Make it look really good!
Media language - Scene analysis
Find a scene, or a trailer from your show, and conduct a detailed analysis using the toolkit for textual analysis. Remember to discuss how shot types, camera angles, colour, mise-en-scene and so on construct meaning for the audience. What does this show accomplish aesthetically that sets it apart from every other show?
Use this list to structure your response:
- Genre codes and conventions
- Genre theory
- Genre fluidity
- Camera work - framing and composition shot types, angle, position, movement
- Lighting and colour
- Editing – pace, type of edits, continuity
- Narrative construction, related to narrative theory
- Sound – dialogue, music
- Mise-en-scene – setting and location, props, costume/dress, hair/make-up
Representation - character analysis
Select three characters from your show. Find images of each one of them. What groups do these characters represent? What elements of media language construct these characters? To what extent are these characters stereotypes? Are they a positive representation of the group they represent?
(just so you're in no doubt, when I say groups, this could refer to ethnicity, age, sexuality, gender, location, physical appearance, superpower... it really depends on the show you have selected!)
Audience
Who is the exact target audience for your TV show? How do you know? Pick a key scene (which you can hopefully find easily enough on YouTube), and write a short bullet point analysis of how the product appeals to its audience.
Then, after you've analysed the scene, make a pen portrait of the exact 'perfect' audience who is targeted by your show.
Check out this site for a description of what a pen portrait is. It's a proper marketing technique, and it's strangely fun too!
Industry
For this, you're going to focus on advertising and marketing. This includes official marketing, and fan made products. Here's a list you should/could tick off:
- Posters
- Trailers (put in a screenshot!)
- Print adverts
- Publicity stunts
- Soundtrack CD
- Live events
- Magazine front covers
- Merchandise including clothing
- Fan produced material including parodies, fan art, and so on
- Social media posts, both official and fan made
What show should I do?
Below are some examples of cult TV.
So just pick one of these if in doubt! Some genres, for example horror, science fiction and anime are basically automatically cult!
- Attack on Titan
- Breaking Bad
- DEVS
- Discworld
- Dr Who
- It's Always Sunny In Philadelphia
- Empire
- The Expanse
- Good Omens
- Hanibal
- Jujutsu Kaisan
- Kaiji
- Lost
- The Mandalorian
- Maniac
- Neon Genesis Evangelion
- Riverdale
- Scream
- Sherlock
- Squid Game
- Star Trek (any series)
- Stranger Things
- Teen Titans
- Thirteen Reasons Why
- The Walking Dead
- Wandavision
- The Wire
Thursday, 7 October 2021
Exploring how diametric oppositions encode narrative in print adverts
Binary oppositions, or diametric oppositions are a way of structuring the world around us. Put simply, we cannot recognise what something IS, unless we also realise what it is NOT.
Binary oppositions are often used by media producers to quickly and easily encode meaning within a media product. Certain character archetypes will occur in narratives over and over again. Why? Because not only do we understand this, we also see the world we understand being reinforced before our eyes.
Sitcoms are an excellent example of how producers use binary oppositions to create exciting and amusing situations for the target audience.
The 90's US sitcom Friends makes almost aggressive use of diametric oppositions in order to construct meaning for it's audience, and in order to make things as funny as possible in only 22 minutes of air time/ Friends focusses on six main, very different characters:
Rachel Green - Blonde, poplar, pretty, airheadMonica Geller - OCD, clean uptightRoss Geller - smart, whiny, clingy, nerdyJoey Tribiani - funny, flighty, sex addict, Chandler Bing - funny, sarcastic, lamePhoebe Bouffet - hippie, musician, spacey
Most of these characters conflict with each other on an episode by episode basis! Phoebe's messy lifestyle might upset prissy Monica. Chandler's uncool way of living rubs up against Joey's carefree existence. And Ross, the worst person in the world, is the binary opposition of Rachel... which is why they end up going out!
The following print advert makes extensive use of binary oppositions in order to construct a cool, confusing and edgy narrative. But how does it do it?
- The casual nature of the shop keeper's outfit forms a binary opposition between the exotic and colourful mise-en-scene of the costumes of the male models
- A binary opposition is formed between the skin colour of the models: one model is black, and every other model is white. This constructs an atmosphere of diversity
- Colour palette is warm and inviting, which contrasts with the grey, wet, rained on floor
- Costumes are wildly varied: the smart, sophisticated suit forms a binary opposition with the preppy sports jacket
- All the models are sitting on the wagon, creating a diametric opposition between the sophisticated hight status models and the lower status shop keeper

